商品描述
On the relationship between quantifiable and experiential knowledge as entanglement of multiple temporalities. What parallels are there between a human pranayama practitioner and a migratory bird in heavily datafied environments? And what can they tell us about the need to reorient our thinking towards the planetary?
In
Contemporaneity in Embodied Data Practices, two artistic field studies provide the starting point for a dialogical reflection on the entanglement of diverse temporalities in body-related, datafied, and experiential practices. Shifting through lived, historical, evolutionary, and technological rhythms, Cornelia Sollfrank and Felix Stalder unfold their respective more-than-human frames of reference, and arrive at specific forms of agency in the contemporary moment.
Published in partnership with the Centre for Research in Artistic Practice under Contemporary Conditions at Aarhus University.
商品描述(中文翻譯)
關於可量化知識與經驗知識之間的關係，作為多重時間性的糾纏。
在高度數據化的環境中，人類的呼吸法（pranayama）修行者與遷徙鳥類之間有什麼相似之處？它們能告訴我們什麼關於重新調整我們對行星思考的需求？
在
具身數據實踐中的當代性一書中，兩個藝術實地研究為對身體相關、數據化和經驗實踐中多樣時間性糾纏的對話反思提供了起點。Cornelia Sollfrank 和 Felix Stalder 在生活的、歷史的、演化的和技術的節奏中轉換，展開各自超越人類的參考框架，並在當代時刻達成特定形式的能動性。
本書由奧胡斯大學當代條件下藝術實踐研究中心合作出版。
作者簡介
Cornelia Sollfrank (PhD) is an artist, researcher and writer, living in Berlin. Recurring subjects in her artistic and academic work in and about digital cultures are artistic infrastructures, new forms of (political) self-organization, critical authorship, aesthetics of the commons, and techno-feminist practice and theory. Her projects net.art generator--a web-based art-producing "machine"--and Female Extension have earned her a reputation as a pioneer of net art. Recent open access publications include
The Beautiful Warriors: Technofeminist Practice in the 21st Century,
Aesthetics of the Commons, and
Fix My Code with Winnie Soon.
Felix Stalder is a professor teaching Digital Culture at the Zurich University of the Arts. His work focuses on the intersection of cultural, political and technological dynamics, in particular new modes of commons-based production, copyright, datafication, and transformation of subjectivity. He is the author/editor of numerous books, including
Deep Search: The Politics of Search Beyond Google (2009),
Digital Solidarity (2014),
Digital Condition (2018),
Aesthetics of the Commons (2021),
Digital Unconscious (2021) and
From Commons to NFTS (2022).
作者簡介(中文翻譯)
科妮莉亞·索爾弗蘭克（Cornelia Sollfrank，博士）是一位藝術家、研究者和作家，居住在柏林。她在數位文化領域的藝術和學術工作中，反覆探討的主題包括藝術基礎設施、新型（政治）自我組織形式、批判性作者身份、公共美學以及科技女性主義的實踐與理論。她的專案 net.art generator——一個基於網路的藝術創作「機器」——和 Female Extension 使她贏得了網路藝術先驅的聲譽。最近的開放存取出版物包括《美麗的戰士：21世紀的科技女性主義實踐》（The Beautiful Warriors: Technofeminist Practice in the 21st Century）、《公共美學》（Aesthetics of the Commons）以及與溫妮·孫（Winnie Soon）合著的《修正我的程式碼》（Fix My Code）。
費利克斯·斯塔爾德（Felix Stalder）是蘇黎世藝術大學的數位文化教授。他的工作專注於文化、政治和技術動態的交集，特別是基於公共資源的新型生產模式、版權、數據化以及主體性的轉變。他是多本書籍的作者和編輯，包括《深度搜尋：超越谷歌的搜尋政治》（Deep Search: The Politics of Search Beyond Google，2009年）、《數位團結》（Digital Solidarity，2014年）、《數位狀態》（Digital Condition，2018年）、《公共美學》（Aesthetics of the Commons，2021年）、《數位無意識》（Digital Unconscious，2021年）以及《從公共資源到NFT》（From Commons to NFTS，2022年）。
