Performance Arts: Research in the Age of Digital Revolution
Tam, Kwok-Kan
- 出版商: Springer
- 出版日期: 2024-08-13
- 售價: $6,280
- 貴賓價: 9.5 折 $5,966
- 語言: 英文
- 頁數: 230
- 裝訂: Quality Paper - also called trade paper
- ISBN: 9811992150
- ISBN-13: 9789811992155
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商品描述
This volume reshapes a contemporary understanding of research in theatre and performance arts. Bringing together distinguished scholars from all over the world, the book serves as an arena for international scholars to introduce innovative research methodologies and disseminate their research findings regarding VLT, data archiving, and digital history and discusses the impacts of digital culture in art production, stage performance, film, and literature. The Ibsen focus in the book is illustrative of the power of digital database research that is generating new relations in spatial-historical dimensions that have otherwise gone unnoticed. It demonstrates how a new methodology can bring practical benefits to handling big data with the support of digital technologies. In line with the post-pandemic landscape, this book engages a reflection on how the digital revolution has brought about changes and challenges, and constraints and breakthroughs within the field oftheatre and performance arts. It is of appeal to theatre artists and practitioners, scholars, critics, librarians, digital archive engineers, and postgraduate students interested in theatre, performance studies, digital media, information technology, library science, communication, education, sociology, as well as political science.
"The book investigates the latest methodological development in digital cultures and performance arts, which significantly contributes to the ever-changing and increasingly advanced technological culture in this field." - Jessica Tsui-yan Li, York University, Canada
"In line with the post-pandemic landscape, this book engages the reader in reflecting on how the digital revolution has brought about chances and challenges, constraints and breakthroughs to the field of theatre and performance arts. An original, eye-opening and inspiring volume at multiple levels, this book brings together distinguished scholars from all over the world."
- Dr Anna Tso, The Hang Seng University of Hong Kong
商品描述(中文翻譯)
本書重新塑造了當代對於戲劇與表演藝術研究的理解。匯聚了來自世界各地的傑出學者，這本書為國際學者提供了一個平台，以介紹創新的研究方法論並傳播他們關於VLT、數據存檔和數位歷史的研究成果，並討論數位文化在藝術創作、舞台表演、電影和文學中的影響。書中對易卜生的聚焦展示了數位資料庫研究的力量，這種研究正在產生新的空間歷史關係，這些關係在過去往往被忽視。它展示了如何利用數位技術的支持，通過新方法論為處理大數據帶來實際好處。與後疫情時代的背景相符，本書引導讀者反思數位革命如何在戲劇與表演藝術領域帶來變化與挑戰，以及限制與突破。本書對於戲劇藝術家和從業者、學者、評論家、圖書館員、數位檔案工程師以及對戲劇、表演研究、數位媒體、資訊科技、圖書館科學、傳播、教育、社會學及政治科學感興趣的研究生均具吸引力。
「本書探討了數位文化和表演藝術中最新的方法論發展，對於這一領域不斷變化和日益先進的技術文化作出了重要貢獻。」 - Jessica Tsui-yan Li，加拿大約克大學
「與後疫情時代的背景相符，本書引導讀者反思數位革命如何為戲劇與表演藝術領域帶來機會與挑戰、限制與突破。這是一本在多個層面上原創、啟發人心且令人耳目一新的著作，匯聚了來自世界各地的傑出學者。」 - Dr Anna Tso，香港恒生大學
作者簡介
Kwok-kan TAM is Chair Professor of English and Dean of the School of Humanities and Social Science at the Hang Seng University of Hong Kong. He is former Head and current member of the International Ibsen Committee, University of Oslo. His recent publications include the books Ibsen, Power and the Self: Postsocialist Chinese Experimentations in Stage Performance and Film (2019); Chinese Ibsenism: Reinventions of Women, Class and Nation (2019); and The Englishized Subject: Postcolonial Writings in Hong Kong, Singapore and Malaysia (2019). He edits the Springer book series Digital Culture and Humanities.
作者簡介(中文翻譯)
Kwok-kan TAM 是香港恒生大學人文社會科學學院的英語講座教授及院長。他曾擔任奧斯陸大學國際易卜生委員會的主任，現為該委員會成員。他最近的出版作品包括《易卜生、權力與自我：後社會主義中國在舞台表演和電影中的實驗》（2019年）、《中國易卜生主義：女性、階級與國家的再造》（2019年）以及《英文化的主體：香港、新加坡和馬來西亞的後殖民寫作》（2019年）。他編輯了Springer出版的《數位文化與人文學科》書系列。
