Artistic Ecologies: New Compasses and Tools
暫譯: 藝術生態學：新指南針與工具
Pethick, Emily, Martinez, Pablo, What How & for Whom/Whw
- 出版商: Sternberg Press
- 出版日期: 2022-11-15
- 售價: $1,170
- 貴賓價: 9.5 折 $1,111
- 語言: 英文
- 頁數: 240
- 裝訂: Quality Paper - also called trade paper
- ISBN: 3956796330
- ISBN-13: 9783956796333
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商品描述
An inquiry into the current ways of knowing, their ramifications, and institutional and noninstitutional artistic practices that provide channels for education from below. Artistic Ecologies: New Compasses and Tools aims to both analyze and speculate about potentials of artistic ecologies, collective learning, and engaged pedagogies to engender new institutionalities. Going beyond tensions between individuals and institutions, Artistic Ecologies examines avenues for collective learning. If learning for life is emancipation--understood not just as a matter of power but of freedom--the essential question that emerges is: What knowledge makes us free and how can institutions help produce it? In search of an answer, this publication's textual and visual contributions explore sites and practices through which new institutionalities can emerge. Artistic Ecologies comprises essays analyzing current ways of knowing and their ramifications (Marina Garcés, Yayo Herrero and Pirate Care) and portraying alternative ways of forming knowledge through institutional and non-institutional artistic practices (DAAR--Decolonizing Architecture Art Research, Yael Davids, Max Jorge Hinderer Cruz, The Sensing Salon). Artistic contributions in various formats--poems, drawings, visual essays--by Luna Acosta, CAConrads, Eva Ďurovec, Teuta Gatolin, Margherita Isola, and Jammers illustrate heterodox channels for questioning the dominant forms of knowledge and educating from below.
商品描述(中文翻譯)
對當前認知方式的探討、其影響，以及提供自下而上教育管道的機構與非機構藝術實踐。
藝術生態學：新的指南針與工具 旨在分析並推測藝術生態、集體學習和參與式教學的潛力，以促進新的機構性。 超越個人與機構之間的緊張關係，藝術生態學 探討集體學習的途徑。如果終身學習是解放——不僅僅是權力的問題，而是自由的問題——那麼出現的根本問題是：什麼樣的知識使我們自由，機構如何能幫助產生這種知識？為了尋找答案，本出版物的文字和視覺貢獻探索了新機構性可能出現的場域和實踐。 藝術生態學 包含分析當前認知方式及其影響的文章（Marina Garcés、Yayo Herrero 和 Pirate Care），以及描繪通過機構和非機構藝術實踐形成知識的替代方式的文章（DAAR--去殖民建築藝術研究、Yael Davids、Max Jorge Hinderer Cruz、The Sensing Salon）。來自 Luna Acosta、CAConrads、Eva Ďurovec、Teuta Gatolin、Margherita Isola 和 Jammers 的各種格式的藝術貢獻——詩歌、繪畫、視覺散文——展示了質疑主流知識形式和自下而上教育的異端管道。作者簡介
Pablo Martínez is a researcher and educator. He worked as Head of Programming at the MACBA from 2016 to 2021 where he also directed the Center of Studies and Documentation and its exhibition program, the Independent Studies Program and the et al series of essays. He's part of the editorial board of L'InternationaleOnline (www.internationaleonline.org) as well as of the #Re-visiones (www.re-visiones.net). He is a founder member of Las Lindes, a research and action group working on education and cultural and artistic practices (2009-today). Emily Pethick is the director of the Rijksakademie van Beeldende Kunsten, Amsterdam. She was the director of The Showroom, London, until 2018; she was also the director of Casco, Office for Art, Design and Theory, in Utrecht, The Netherlands (2005-2008) and the curator at Cubitt, London (2003-2004). What, How & for Whom/WHW is a curatorial collective. Its members are Ivet Ćurlin, Ana Devic, Natasa Ilic and Sabina Sabolovic, and designer and publicist Dejan Krsic. Since 2003 WHW collective has been running the program of Gallery Nova, a city-owned gallery in Zagreb. In 2018 WHW initiated an independent, educational program WHW Akademija based in Zagreb. In 2019 members of WHW Ivet Ćurlin, Natasa Ilic, and Sabina Sabolovic were appointed as artistic directors of Kunsthalle Wien in Vienna. WHW activities in Zagreb, WHW Akademija, and Gallery Nova are led by Ana Devic.
作者簡介(中文翻譯)
巴勃羅·馬丁內斯（Pablo Martínez）是一位研究者和教育工作者。他於2016年至2021年擔任MACBA的程式設計部門負責人，並且負責該中心的研究與文獻資料以及其展覽計畫、獨立研究計畫和《et al》系列論文。他是《L'InternationaleOnline》（www.internationaleonline.org）和《#Re-visiones》（www.re-visiones.net）的編輯委員會成員。他是Las Lindes的創始成員，這是一個專注於教育及文化和藝術實踐的研究與行動小組（2009年至今）。
艾蜜莉·佩西克（Emily Pethick）是阿姆斯特丹的Rijksakademie van Beeldende Kunsten的主任。她曾擔任倫敦The Showroom的主任，直到2018年；她還曾擔任荷蘭烏特勒支的Casco, Office for Art, Design and Theory的主任（2005-2008）以及倫敦Cubitt的策展人（2003-2004）。
What, How & for Whom/WHW是一個策展集體。其成員包括伊維特·丘林（Ivet Ćurlin）、安娜·德維奇（Ana Devic）、娜塔莎·伊利奇（Natasa Ilic）和薩比娜·薩博洛維奇（Sabina Sabolovic），以及設計師和公關人員德揚·克爾西奇（Dejan Krsic）。自2003年以來，WHW集體一直在運營位於薩格勒布的市立畫廊Gallery Nova的計畫。2018年，WHW在薩格勒布啟動了一個獨立的教育計畫WHW Akademija。2019年，WHW的成員伊維特·丘林、娜塔莎·伊利奇和薩比娜·薩博洛維奇被任命為維也納Kunsthalle Wien的藝術總監。WHW在薩格勒布的活動、WHW Akademija和Gallery Nova的運營由安娜·德維奇負責。