Don't Follow the Wind
暫譯: 不要隨風而行
Hirsch, Nikolaus, Waite, Jason
- 出版商: Sternberg Press
- 出版日期: 2021-08-24
- 售價: $990
- 貴賓價: 9.5 折 $940
- 語言: 英文
- 頁數: 256
- 裝訂: Quality Paper - also called trade paper
- ISBN: 3956795687
- ISBN-13: 9783956795688
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相關分類:
設計攝影 Photograph
無法訂購
商品描述
Documenting an invisible, inaccessible exhibition within the radioactive Fukushima exclusion zone.
The twelfth volume of the Critical Spatial Practices series focuses on "Don't Follow the Wind," the acclaimed collaborative project situated in Fukushima's radioactive exclusion zone. The book explores the long-term environmental crisis in the coastal Japanese region through this ongoing, inaccessible exhibition, which maintains traces of human presence amid the fallout of the March 2011 nuclear reactor meltdown that displaced entire towns. What can art do in a continuing catastrophe when destruction and contamination have made living impossible? The exhibition is located inside the exclusion zone, an evacuated radioactive area established after the nuclear disaster that forcibly separated residents from their homes, land, and community. In cooperation with former residents, participating artists installed newly commissioned works at sites in the exclusion zone. Although the exhibition opened in March 2015, the zone is still inaccessible to the public--the exhibition, like the radiation, is virtually invisible. The exhibition can only be viewed when restrictions are lifted and people are permitted to return. This might take several years or decades--a period that could extend beyond our lifetime. While nuclear contamination has displaced and ruptured communities, new temporary and translocal formations have emerged among the residents who have lent their sites, other former residents collaborating on the project, and the artists, curators, and cultural workers. This book includes new texts by feminist theorist Silvia Federici, art historians Noi Sawaragi and Sven L tticken, and political philosopher Jodi Dean. The project was codeveloped and curated by the collective Don't Follow the Wind, whose members include Chim↑Pom, Kenji Kubota, Eva & Franco Mattes, and Jason Waite. The participating artists include Ai Weiwei, Chim↑Pom, Nikolaus Hirsch & Jorge Otero-Pailos, Meiro Koizumi, Eva & Franco Mattes, Grand Guignol Mirai, Aiko Miyanaga, Ahmet ğ t, Trevor Paglen, Taryn Simon, Nobuaki Takekawa, and Kota Takeuchi.
The twelfth volume of the Critical Spatial Practices series focuses on "Don't Follow the Wind," the acclaimed collaborative project situated in Fukushima's radioactive exclusion zone. The book explores the long-term environmental crisis in the coastal Japanese region through this ongoing, inaccessible exhibition, which maintains traces of human presence amid the fallout of the March 2011 nuclear reactor meltdown that displaced entire towns. What can art do in a continuing catastrophe when destruction and contamination have made living impossible? The exhibition is located inside the exclusion zone, an evacuated radioactive area established after the nuclear disaster that forcibly separated residents from their homes, land, and community. In cooperation with former residents, participating artists installed newly commissioned works at sites in the exclusion zone. Although the exhibition opened in March 2015, the zone is still inaccessible to the public--the exhibition, like the radiation, is virtually invisible. The exhibition can only be viewed when restrictions are lifted and people are permitted to return. This might take several years or decades--a period that could extend beyond our lifetime. While nuclear contamination has displaced and ruptured communities, new temporary and translocal formations have emerged among the residents who have lent their sites, other former residents collaborating on the project, and the artists, curators, and cultural workers. This book includes new texts by feminist theorist Silvia Federici, art historians Noi Sawaragi and Sven L tticken, and political philosopher Jodi Dean. The project was codeveloped and curated by the collective Don't Follow the Wind, whose members include Chim↑Pom, Kenji Kubota, Eva & Franco Mattes, and Jason Waite. The participating artists include Ai Weiwei, Chim↑Pom, Nikolaus Hirsch & Jorge Otero-Pailos, Meiro Koizumi, Eva & Franco Mattes, Grand Guignol Mirai, Aiko Miyanaga, Ahmet ğ t, Trevor Paglen, Taryn Simon, Nobuaki Takekawa, and Kota Takeuchi.
商品描述(中文翻譯)
記錄一個隱形且無法接觸的展覽，位於輻射福島的禁區內。
作者簡介
Nikolaus Hirsch is an architect, curator, editor, and educator. He is the director of CIVA in Brussels and was the Dean of Städelschule and Director of Portikus in Frankfurt. He is the author of the books On Boundaries (2007), Institution Building (2009), Cybermohalla Hub (2012), and co-editor of the Critical Spatial Practice series at Sternberg Press and co-founder of e-flux architecture. Jason Waite is an independent curator and cultural worker focused on forms of practice producing agency, and has recently been working in sites of crisis amidst the detritus of capitalism, looking for tools and radical imaginaries for different ways of living and working together. He holds an M.A. in Art and Politics from Goldsmiths College, London and was a 2012-2013 Helen Rubinstein Curatorial Fellow at the Whitney Museum Independent Study Program, New York. He is currently a doctoral candidate in Contemporary Art History and Theory at the University of Oxford in the Ruskin School of Art and Christ Church.
作者簡介(中文翻譯)
尼古拉斯·希爾許（Nikolaus Hirsch）是一位建築師、策展人、編輯和教育工作者。他是布魯塞爾CIVA的主任，曾擔任法蘭克福Städelschule的院長及Portikus的主任。他是書籍《On Boundaries》（2007年）、《Institution Building》（2009年）、《Cybermohalla Hub》（2012年）的作者，並且是Sternberg Press的Critical Spatial Practice系列的共同編輯，以及e-flux architecture的共同創辦人。
傑森·韋特（Jason Waite）是一位獨立策展人和文化工作者，專注於產生行動力的實踐形式，最近在資本主義的殘骸中於危機地點工作，尋找工具和激進的想像力，以探索不同的生活和合作方式。他擁有倫敦Goldsmiths College的藝術與政治碩士學位，並曾於2012-2013年擔任紐約惠特尼博物館獨立研究計畫的海倫·魯賓斯坦策展人獎學金獲得者。目前，他是牛津大學拉斯金藝術學院和基督教堂的當代藝術史與理論博士候選人。
