Gilles Deleuze and Film Criticism: Philosophy, Theory, and the Individual Film
Lash, Dominic, Law, Hoi Lun
- 出版商: Palgrave MacMillan
- 出版日期: 2024-08-08
- 售價: $5,160
- 貴賓價: 9.5 折 $4,902
- 語言: 英文
- 頁數: 221
- 裝訂: Quality Paper - also called trade paper
- ISBN: 3031333071
- ISBN-13: 9783031333071
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商品描述
--Alex Clayton, Associate Professor in Film and Television, University of Bristol, UK
This book is the first collection of essays to offer detailed examinations of the role that close attention to individual films plays in the philosopher Gilles Deleuze's work on cinema. In the last two decades, Deleuze's two books on film have had an enormous influence on Film Studies, profoundly affecting thinking about movement, time, history, and other topics. Theoretically ambitious and philosophically rich but clearly written by a broad range of established and emerging international film scholars, the chapters in this volume will both contribute to, and in places challenge, the vibrant field of Deleuzian film studies. Topics covered range from the relationship of Deleuze to film criticism; the role of theories of movement; and studies of works by major filmmakers including Federico Fellini, Werner Herzog, Vincente Minnelli, and Orson Welles. This book will be of interest not only to specialists in Deleuze but to anybody engaged with the close study of film and its philosophical ramifications.Dominic Lash is the author of The Cinema of Disorientation: Inviting Confusions (2020) and Robert Pippin and Film: Politics, Ethics, and Psychology after Modernism (2022). He has taught film at many institutions, including the universities of Bristol and Oxford, and has published in journals such as Screen; Movie: A Journal of Film Criticism; Film and Philosophy; and Film-Philosophy.Hoi Lun Law is Teaching Fellow in Film Studies at the University of Edinburgh, UK. He is the author of Ambiguity and Film Criticism: Reasonable Doubt (2021).
商品描述(中文翻譯)
《吉爾斯·德勒茲與電影批評》是一部卓越的作品集,充滿精神與智慧,努力探討特雷弗·莫欽所稱的電影批評的「潮流」。每一篇個別的研究都巧妙地展示了將電影分析與細緻的元批評評論及德勒茲的術語和傾向的概念闡明相結合的價值。除了這些論文本身固有的興趣外,本書對電影研究的主要貢獻在於其重新激活對於這一學科重要議題的辯論的潛力:即理論與批評之間的關係。
--亞歷克斯·克萊頓,英國布里斯托大學電影與電視副教授
本書是第一部詳細探討哲學家吉爾斯·德勒茲在電影工作中對個別電影的密切關注所扮演角色的論文集。在過去的二十年中,德勒茲的兩本電影著作對電影研究產生了巨大影響,深刻改變了對運動、時間、歷史及其他主題的思考。本書的章節理論上雄心勃勃,哲學上豐富,但由一系列既有成就又新興的國際電影學者清晰地撰寫,將對德勒茲電影研究的活躍領域做出貢獻,並在某些地方提出挑戰。涵蓋的主題包括德勒茲與電影批評的關係、運動理論的角色,以及對包括費德里科·費里尼、維爾納·赫爾佐克、文森特·明奈利和奧森·威爾斯等主要電影製作人的作品的研究。本書不僅對德勒茲的專家感興趣,也對任何從事電影及其哲學影響的深入研究的人士具有吸引力。
多米尼克·拉什是《迷失的電影:邀請混淆》(2020)和《羅伯特·皮平與電影:現代主義後的政治、倫理與心理學》(2022)的作者。他曾在包括布里斯托大學和牛津大學在內的多個機構教授電影,並在《螢幕》、《電影:電影批評期刊》、《電影與哲學》和《電影哲學》等期刊上發表過文章。
霍伊·倫·羅是英國愛丁堡大學電影研究的教學研究員。他是《模糊性與電影批評:合理的懷疑》(2021)的作者。
作者簡介
Hoi Lun Law is Teaching Fellow in Film Studies at the University of Edinburgh, UK. He is the author of Ambiguity and Film Criticism: Reasonable Doubt (2021).
作者簡介(中文翻譯)
多米尼克·拉什(Dominic Lash)是《迷失的電影:邀請混淆》(The Cinema of Disorientation: Inviting Confusions,2020)和《羅伯特·皮平與電影:現代主義後的政治、倫理與心理學》(Robert Pippin and Film: Politics, Ethics, and Psychology after Modernism,2022)的作者。他曾在多所機構教授電影,包括布里斯托大學和牛津大學,並在《Screen》、《Movie: A Journal of Film Criticism》、《Film and Philosophy》和《Film-Philosophy》等期刊上發表過文章。
霍伊·倫·羅(Hoi Lun Law)是英國愛丁堡大學的電影研究教學研究員。他是《模糊性與電影批評:合理的懷疑》(Ambiguity and Film Criticism: Reasonable Doubt,2021)的作者。