商品描述
Two of the most important voices in art history discuss their intellectual foundations, the changing role of criticism, and the possibilities for artistic practice today. In
Exit Interview, the prominent art critics and historians Hal Foster and Benjamin Buchloh discuss their intellectual foundations and the projects they've worked on together, from
October magazine to
Art Since 1900. Through three engaging conversations, Foster engages Buchloh on his early influences and aspirations, his formative years in Berlin, London, and Dusseldorf, and his career in North America, while exploring the impact of other art historians and critics. Buchloh candidly addresses his successes, critical significance, and unexplored avenues in art history, providing a unique window into his motivations and experiences. With a powerful postface by Buchloh,
Exit Interview builds from biography and anecdote to important reflection on one's critical life as a whole.
商品描述(中文翻譯)
兩位藝術史上最重要的聲音討論他們的思想基礎、評論角色的變化以及當今藝術實踐的可能性。
在《離職訪談》中，知名藝術評論家和歷史學家哈爾·福斯特（Hal Foster）和本雅明·布赫洛（Benjamin Buchloh）討論他們的思想基礎以及他們共同從事的項目，從《October》雜誌到《1900年以來的藝術》。透過三次引人入勝的對話，福斯特探討了布赫洛在早期的影響和抱負，他在柏林、倫敦和杜塞爾多夫的形成年代，以及他在北美的職業生涯，同時探討了其他藝術史學家和評論家的影響。布赫洛坦率地談到了他在藝術史上的成功、批評的重要性以及未被探索的領域，提供了一個獨特的窗口，讓人了解他的動機和經歷。《離職訪談》以布赫洛的有力後記作為結尾，從傳記和軼事發展到對整個批評生涯的重要反思。
作者簡介
Benjamin H. D. Buchloh, an art historian and critic, served as the Andrew W. Mellon Research Professor of Modern and Contemporary Art at Harvard University through 2021. He is the author of
Gerhard Richter: Painting After the Subject of History (2022);
Formalism and Historicity: Models and Methods in Twentieth-Century Art (2015); and
Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975. He was co-curator of the Gerhard Richter retrospective at the Metropolitan Museum/Met Breuer, New York in 2020. In 2007 Buchloh received the Golden Lion for Contemporary Art History and Criticism at the Venice Biennale.
Hal Foster is Townsend Martin, Class of 1917, Professor of Art and Archaeology at Princeton University. He was a founding editor of
Zone Magazine and Zone Books and writes regularly for
October (which he coedits),
Artforum, and
The London Review of Books. Recent books include
What Comes After Farce? Art and Criticism at a Time of Debacle (2020);
Conversations about Sculpture, with Richard Serra (2018);
Bad New Days: Art, Criticism, Emergency (2015); and
The First Pop Age: Painting and Subjectivity in the Art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha (2012).
作者簡介(中文翻譯)
本傑明·H·D·布克洛（Benjamin H. D. Buchloh）是一位藝術史學家和評論家，曾擔任哈佛大學現代與當代藝術的安德魯·W·梅隆研究教授，任期至2021年。他是《蓋爾哈德·里希特：歷史主題之後的繪畫》（2022年）、《形式主義與歷史性：二十世紀藝術的模型與方法》（2015年）和《新先鋒與文化工業：1955年至1975年歐美藝術論文集》的作者。他還是2020年紐約大都會博物館/梅特布魯爾的蓋爾哈德·里希特回顧展的聯合策展人。2007年，布克洛在威尼斯雙年展上獲得了當代藝術史和評論的金獅獎。
哈爾·福斯特（Hal Foster）是普林斯頓大學的鎮森·馬丁1917級藝術與考古學教授。他是《Zone Magazine》和Zone Books的創辦編輯，並定期為《October》（他共同編輯）、《Artforum》和《The London Review of Books》撰寫文章。他最近的著作包括《滑稽之後：災難時期的藝術與評論》（2020年）、與理查德·塞拉（Richard Serra）合著的《關於雕塑的對話》（2018年）、《糟糕的新時代：藝術、評論、緊急情況》（2015年）和《第一個流行時代：漢密爾頓、利希滕斯坦、沃霍爾、里希特和魯斯查的繪畫與主體性》（2012年）。
