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商品描述
Experimental film practice from an international and transdisciplinary perspective. Karel Doing is an experimental filmmaker and researcher who has worked across the globe with fellow artists and filmmakers, creating a body of work that is difficult to pinpoint with a simple catchphrase. In Ruins and Resilience he weaves autobiographical elements and critical reviews together with his wide ranging interdisciplinary approach, reflecting on his own practice by positioning key works within the context of a vibrant experimental film scene in Europe, North and South America, and Asia. Doing demonstrates how experimental filmmakers have continued to renew their practice despite the almost total demise of analog motion picture film and the constant neglect of this art form by institutions and critics. Written in a fluent and accessible style, the book looks into the connections between the work of groundbreaking artists within the field and subjects such as transgression, improvisation, collectivity, materiality, phenomenology, and perception. Specifically, intersections with music and sound are investigated, appealing to the idea of the cross-modal brain, the ability to perceive sounds and images in an integrated way. Instead of looking again at the "golden era" of experimental film, the book starts in the 1980s, showing how this art form has never ceased to surprise and inspire. The author's hands-on engagement with the medium is formational for his more theoretical approach and writing, making the book a highly original contribution in the field that is informative and inspiring for academic and practitioners alike.
商品描述(中文翻譯)
實驗電影實踐的國際與跨學科視角。
Karel Doing 是一位實驗電影製作人和研究者,他在全球範圍內與其他藝術家和電影製作人合作,創作出一系列難以用簡單口號來界定的作品。在《Ruins and Resilience》中,他將自傳元素和批評性評論與其廣泛的跨學科方法交織在一起,通過將關鍵作品置於歐洲、北美、南美和亞洲充滿活力的實驗電影場景中來反思自己的實踐。Doing 展示了儘管類比電影幾乎完全消亡,且這種藝術形式不斷被機構和評論家忽視,實驗電影製作人仍然持續更新他們的實踐。這本書以流暢且易於理解的風格探討了該領域內開創性藝術家的作品之間的聯繫,以及越界、即興創作、集體性、物質性、現象學和知覺等主題。特別是,書中探討了與音樂和聲音的交集,呼應了跨模態大腦的概念,即以整合的方式感知聲音和影像。這本書並未再次回顧實驗電影的「黃金時代」,而是從1980年代開始,展示了這種藝術形式如何從未停止驚喜和啟發。作者對媒介的實踐參與為其更理論化的寫作提供了基礎,使這本書在該領域中成為一項高度原創的貢獻,對學術界和實踐者都具有啟發性和資訊性。
作者簡介
Karel Doing is an independent artist, filmmaker, and researcher whose practice investigates the relationship between culture and nature by means of analogue and organic process, experiment, and co-creation. His work has been shown worldwide at festivals, in cinemas, on stage, and in galleries. He was a founder member of Studio één, a pioneering DiY film laboratory. He has invented "phytography," a technique that combines plants and photochemical emulsion. He regularly gives workshops and talks to share his ideas and skills.
作者簡介(中文翻譯)
Karel Doing 是一位獨立藝術家、電影製作人和研究者,他的創作透過類比和有機過程、實驗及共同創作來探討文化與自然之間的關係。他的作品在全球各地的影展、電影院、舞台和畫廊中展出。他是 Studio één 的創始成員,這是一個開創性的 DIY 電影實驗室。他發明了「phytography」這一技術,結合了植物和光化學乳劑。他定期舉辦工作坊和演講,以分享他的想法和技能。