Plant Space: Territories, Architectures and Technologies of the Vegetal
暫譯: 植物空間:植物的領域、建築與技術
Howard, Michelle, Hudec, Adam, Hines, Carmen
- 出版商: Sternberg Press
- 出版日期: 2026-04-14
- 售價: $1,120
- 貴賓價: 9.5 折 $1,064
- 語言: 英文
- 頁數: 248
- 裝訂: Quality Paper - also called trade paper
- ISBN: 1915609801
- ISBN-13: 9781915609809
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商品描述
How plants shape space, knowledge, and hierarchies across historical, ecological, and epistemic terrains. Plant Space: Cultures of the Vegetal brings together eighteen international contributors working across critical theory, philosophy, art, design, architecture, and critical ecology to radically reimagine the role of plants in shaping the built environment and its overlapping economies and ecologies. Framed by the entangled histories of extraction, enclosure, and domestication, this volume resituates plants not as passive scenery or symbolic decoration, but as formative presences: agents of spatial composition, political tension, and epistemic possibility. Developed in the context of the exhibition "Bordering Plants" at the Academy of Fine Arts Vienna, essays and experimental formats examine the infrastructures, colonial residues, and aesthetic regimes that render plant life visible, governable, or expendable. From houseplants, the imperial gardens of Vienna, and the global circuits of plant trade, to AI-rendered plants and satellite images in herbicidal warfare, the volume traverses the architectures, imaginaries, and techniques through which vegetal life is organized and resists. Contributors include Elisabeth Bandason, Morgane Billuart, Carla Bobadilla, LaYna Droz, Carmen Lael Hines, Michelle Howard, Adam Hudec, Institute for Postnatural Studies, Roberto Majano, Hannah Meszaros Martin, Sandro Mezzadra, Michelle Mlati and Pablo Barrios Martínez, Serena Moscardelli, Ido Nahari, Akil Scafe-Smith, Caterina Selva, and Lucia Gregorová Stach. Copublished by the Academy of Fine Arts Vienna.
商品描述(中文翻譯)
植物如何在歷史、生態和認識論的領域中塑造空間、知識和階層。
植物空間:植物文化匯集了十八位來自批判理論、哲學、藝術、設計、建築和批判生態學的國際貢獻者,徹底重新想像植物在塑造建成環境及其重疊經濟和生態中的角色。本書以開採、圈地和馴化的交織歷史為框架,將植物重新定位為不再是被動的風景或象徵性的裝飾,而是形成性的存在:空間組成、政治緊張和認識論可能性的代理者。本書在維也納美術學院的展覽「邊界植物」的背景下發展,文章和實驗格式探討了使植物生命可見、可治理或可消耗的基礎設施、殖民遺跡和美學體系。從室內植物、維也納的帝國花園到全球植物貿易的循環,再到人工智慧生成的植物和在除草劑戰爭中的衛星影像,本書穿越了植物生命被組織和抵抗的建築、想像和技術。貢獻者包括Elisabeth Bandason、Morgane Billuart、Carla Bobadilla、LaYna Droz、Carmen Lael Hines、Michelle Howard、Adam Hudec、後自然研究所(Institute for Postnatural Studies)、Roberto Majano、Hannah Meszaros Martin、Sandro Mezzadra、Michelle Mlati和Pablo Barrios Martínez、Serena Moscardelli、Ido Nahari、Akil Scafe-Smith、Caterina Selva和Lucia Gregorová Stach。由維也納美術學院共同出版。作者簡介
Carmen Lael Hines is a curator, writer, and researcher exploring art, architecture, design, and new media. Based between Madrid and Vienna, Hines currently curates at The Ryder Projects and teaches at the Institute for Postnatural Studies. Adam Hudec is an architect, researcher, and educator exploring the intersections of architecture, science, and art through cross-disciplinary inquiry. His work investigates the material processes of nature and culture, uncovering environmental anomalies and rethinking architecture's role in ecological and social transformation. Michelle Howard is a social ecological architect, professor, author, researcher, and activist. She heads the Platform for Construction, Materials, and Technology at the Academy of Fine Arts Vienna. Her teaching and research focus on empirical experimentation and activism, reactivating and making visible mutual conditions and dependencies of human and non-human life.
作者簡介(中文翻譯)
卡門·萊爾·海恩斯(Carmen Lael Hines)是一位策展人、作家和研究者,專注於藝術、建築、設計和新媒體。海恩斯目前在馬德里和維也納之間工作,擔任The Ryder Projects的策展人,並在後自然研究所(Institute for Postnatural Studies)教授。
亞當·胡德克(Adam Hudec)是一位建築師、研究者和教育者,通過跨學科的探究探索建築、科學和藝術的交集。他的工作調查自然和文化的物質過程,揭示環境異常,並重新思考建築在生態和社會轉型中的角色。
米歇爾·霍華德(Michelle Howard)是一位社會生態建築師、教授、作者、研究者和活動家。她負責維也納美術學院(Academy of Fine Arts Vienna)的建築、材料和技術平台。她的教學和研究專注於經驗實驗和行動主義,重新激活並使人類與非人類生命的相互條件和依賴關係可見。