商品描述
An electroacoustic, olfactory, and textual project by artist Florian Hecker. Florian Hecker is an artist whose work is realized through the technical manipulation of sensory data. By utilizing machinic scales and registers, Hecker creates environments marked at once by overwhelming complexity and vexing subtlety, where audience members are led to dwell on the outer limits of their own perceptual capacities.
Resynthesizers took place in Laurel Canyon, Los Angeles, in the Fitzpatrick-Leland House, a tri-level residence designed by Rudolf Schindler and built in 1936. Centered around a trio of compositions produced using a novel algorithm for texture synthesis, the exhibition also featured three olfactory accords selected by Marc vom Ende and Philip Kraft of Symrise, and three electrophoretic displays transmitting a libretto by Robin Mackay.
The molecular construction of sensory experience enabled by the technical manipulation and synthesis of materials emerges as a central theme of Resynthesizers. The regime of these 'immaterials' disjoins sensation from inherited conceptual models, and in the encounter with its resyntheses we are challenged to reintegrate sense and formulate new concepts.
Designed by NORM, Zurich, this meticulously assembled document features exhibition documentation by Fredrik Nilsen Studio and data visualizations by Axel Roebel alongside essays by Wendy Hui Kyong Chun and Alex H. Barnett, Marc Vom Ende and Philip Kraft, Robin Mackay, and Luciana Parisi.
商品描述(中文翻譯)
由藝術家Florian Hecker創作的電聲、嗅覺和文字項目。 Florian Hecker是一位通過技術操作感官數據來實現作品的藝術家。通過利用機械尺度和範圍，Hecker創造了一個同時充滿壓倒性複雜性和令人困惑的微妙性的環境，觀眾被引導到他們自己感知能力的極限。 Resynthesizers在洛杉磯的Laurel Canyon舉行，地點是由Rudolf Schindler設計並於1936年建造的三層住宅Fitzpatrick-Leland House。展覽圍繞著使用新穎的紋理合成算法製作的三首作品，還展示了由Symrise的Marc vom Ende和Philip Kraft選擇的三種嗅覺和三個由Robin Mackay撰寫的歌劇劇本的電泳顯示屏。 通過技術操作和合成材料的感官體驗的分子結構成為Resynthesizers的核心主題。這些“非物質”的體制將感官從傳統的概念模型中分離出來，在與其重新合成的遭遇中，我們被挑戰重新整合感官並形成新的概念。 由NORM設計的這份精心製作的文件包括Fredrik Nilsen Studio的展覽文檔和Axel Roebel的數據可視化，以及Wendy Hui Kyong Chun和Alex H. Barnett、Marc Vom Ende和Philip Kraft、Robin Mackay和Luciana Parisi的文章。
作者簡介
At the crossroads of performance, installation and publications, Florian Hecker works with synthetic sound, the listening process and the audience's auditory experience. Since 1996 Hecker has performed internationally in major concert halls, clubs and festivals for contemporary electronic music. Hecker also has an extensive discography that begins in the late 1990s and is characterized by a long-time association with the Mego/Editions Mego labels. Some of Hecker's recent solo exhibitions include Synopsis / Seriation, CU Art Museum, Boulder CO, USA; Halluzination, Perspektive, Synthese, Kunsthalle Wien, Vienna, Austria; Synopsis, Tramway, Glasgow, Scotland; Formulations; MMK Frankfurt, Frankfurt, Germany.
作者簡介(中文翻譯)
在表演、裝置和出版之間的交叉路口上，Florian Hecker以合成聲音、聆聽過程和觀眾的聽覺體驗為主題進行創作。自1996年以來，Hecker在世界各地的重要音樂廳、俱樂部和當代電子音樂節上進行演出。Hecker還有一系列廣泛的唱片作品，始於1990年代末，並以與Mego/Editions Mego唱片公司的長期合作為特色。Hecker最近的一些個展包括《Synopsis / Seriation》在美國科羅拉多州博爾德的CU藝術博物館、《Halluzination, Perspektive, Synthese》在奧地利維也納的Kunsthalle Wien、《Synopsis》在蘇格蘭格拉斯哥的Tramway、《Formulations》在德國法蘭克福的MMK Frankfurt。
